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T Ram Sewak SULABH SUKHAD MARGShri Ram has previously elaborated that the human form is difficult to attain and that it would be a phenomenal waste if it were used only for sensual pleasures. He now p ...
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T Ram Sewak AgaM GYANShri Ram has previously highlighted in Shri Ramcharitmanas 7.44 the simplicity and delightfulness of bhakti. He now compares it to the path of knowledge (Gyan Marg). Gyan agam ...
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T Ram Sewak BHAKTI DWAR - SATSANGPreviously, Shri Ram elucidated the various facets of Bhakti in his discourses to Lakshman and Sabari. He now reiterates them to the citizens of Ayodhya in Shri Ramcha ...
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T Ram Sewak SARAL PATHShri Ram further clarifies the straightforward and uncomplicated nature of the bhakti path in Shri Ramcharitmanas 7.46. Kahahu prayasa, joga upavasa. sarala kutilaayi, ...
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T Ram Sewak AASTHAIn Shri Ramcharitmanas 7.46, Shri Ram dwells upon one of the most significant aspects of bhakti, namely, aastha (faith).mora .. asa, karai bisvasa "If he who calls himself my d ...
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T Ram Sewak AACHARANShri Ram continues His discourse in Shri Ramcharitmanas 7.46, now bringing in the hue of His divinity. He delineates the conduct (aacharan) that makes a bhakt (devotee) dear to Him ...
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T Ram Sewak VEET RAAGIn Shri Ramcharitmanas 7.46, Shri Ram further elucidates the virtues of a bhakt (devotee) that make him dear. preeti sansarga, trina apabarga bhagati sathtayi, du ...
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T Ram Sewak PARAM ANANDShri Ram concludes the Purajan Gita in Shri Ramcharitmanas 7.46 by saying:mama moha, ta sandoha "This bhakt revels in singing My glories and My Name. Free from attachment ...
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T Ram Sewak MANSAROVARGoswami Tulsidasji started writing Shri Ramcharitmanas in 1631 of Vikram Samvat (1574 CE). However, Tulsidasji attributes the composition of this katha (Shri Ramcharitmanas) to L ...
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T Ram Sewak ANTAR YA SAMANThe dialogue between Kakabhushundiji and Garuda in Uttarkand (the seventh canto) brings out some of the most significant philosophical content of Shri Ramcharitmanas. After ...
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